Nyx
The weatherman had
told me to expect rain.
Not just rain—a
torrential downpour.
But the night air
was crisp and clear and the sky lay naked across the darkening
expanse. I opened my window to it all, thinking, it either rains or
it doesn’t. I, too, can predict the future.
I'll admit, I
wasn't exactly the type of person to open my windows, much less sit
at them. People didn't do that sort of thing in my neighborhood, if
it could be called a neighborhood. It was one of those new mixed-use
developments that seemed to invite a stylish group of young
professionals looking to dodge adulthood a while longer. The
billboards and signs advertising the development showed a group of
four or five fashionably dressed twenty-somethings of diverse
heritages crossing a fake cobblestone street, laughing, texting,
practically fall-over drunk, but with perfect make-up. In the months
since I had moved to that anomaly of a neighborhood, however, I had
never seen those people. Those people, if they existed, preferred
anonymity, hiding behind doors and blinds and curtains inside what
one could only assume were stylishly decorated apartments—like the
set of some sitcom, where friends gathered, flirted, rebutted each
other's well-intentioned jabs, and an unseen audience laughed to fill
the silences.
No, my neighbors,
when I saw them, rushed about with stern faces, barely raising their
hollowed eyes to meet mine. I knew of course, on some level, that I
was no different from all of them, whoever or whatever they were, but
at the moment, I wasn't going to admit that inconvenient reality. So
I sat at the window with the fifth of whiskey for company.
Whiskey alone, I've found, has its way of transforming the world from its semblance as a hideous void into something transcendentally perfect and rhythmic. The alcohol seeps into the blood, and in a matter of heartbeats, makes its way to the brain, washes over its visage, and dulls the senses, creating a brief but beautiful glow, a warmth in the body and everything surrounding it. Resting my chin on the windowsill, I felt this warmth rush through me, and I watched in relative peace, the methodic decrescendo of movement and the quiet subsidence of chaos across the twinkling cityscape, the freeway and the suburbs beyond, stretching out as far as the eye could see.
Whiskey alone, I've found, has its way of transforming the world from its semblance as a hideous void into something transcendentally perfect and rhythmic. The alcohol seeps into the blood, and in a matter of heartbeats, makes its way to the brain, washes over its visage, and dulls the senses, creating a brief but beautiful glow, a warmth in the body and everything surrounding it. Resting my chin on the windowsill, I felt this warmth rush through me, and I watched in relative peace, the methodic decrescendo of movement and the quiet subsidence of chaos across the twinkling cityscape, the freeway and the suburbs beyond, stretching out as far as the eye could see.
It was amid the
dying bustle that a white sportscar—a Camaro, I think—pulled up
to the curb beneath my window, its brake lights casting a red glow
over the street and surrounding sidewalk. From the opening car door
appeared two long black legs that, only after having ascertained the
presence and firmness of the pavement beneath them, were followed by
an even longer black body that moved with the grace and fluidity of a
snake. The woman slammed the Camaro door shut without looking behind
her, and in that same instant, the car sped away into the darkness of
the dying city.
She stood
motionless, almost camouflaged against the slick blackness of the
street. Her skin was an ebony shell of human skin, her hair was
black, her mini-skirt was black. Only her shirt, which exposed a flat
and narrow black mid-drift, stood out against the scenery, its
silver-sequined fabric reflecting every gleam from every light,
however faint, within the span of the fake city-block. I couldn't
help but think that, in some way, she looked like an African
tribeswoman, standing there tall and thin and elegant, not unlike the
images I had seen somewhere of women in Ethiopia or the Congo,
carrying baskets on their heads as they promenaded like barefoot
peacocks in a midday heat along winding dirt roads, leaving plumes of
brown dust in their wake. That was where she belonged, I thought, but
here, in the middle of a fake world, a world no more than two years
old, she was out of her element, like a caged wild, exotic bird who
sang the story of her slavery—the slavery of her ancestors and now
the slavery to which she freely subjected herself.
Despite all of
that, she stood with such poise, such confidence, I was sure she was
at least seven feet tall in her platform shoes. She could have been a
ballerina the way she spun around and stood there in third position,
waiting, it looked like, to jeté across the barren street. I laughed
aloud at the absurdity of a mother saying to her daughter, “You see
that prostitute there? Why can’t you have posture like that?”
My own laugh
startled me, scared me almost. It was as though it came from someone
else, from some other corner of the city. The laughter sounded
strangely bitter, I thought, or affected in some way. I took in a
large gulp of whiskey and tried not to feel it burn as it went down.
I couldn’t help
but think how strange it was to see a woman like her in an area like
that, but there she stood between two pink and fragrant young cherry
blossom trees. The existence of those trees had, of course, been
deliberate. They had been carefully planted, cared for, made to grow
straight and tall and beautiful, to be the envy of the other urban
developments. People would live here just for the cherry blossom
trees. Hundreds, maybe thousands would say, “I'm going to move
here. The trees are so lovely.”
But the architects,
the marketers, the billion dollar corporation that had built that
little city within the city had obviously not considered the
possibility of that woman’s presence, and yet, as the moments
passed, she began to seem less otherworldly to me. She seemed to
dissolve into the landscape, her feet taking root in the concrete,
clinging to whatever soil they could find, and she became, herself, a
tree. For some reason, I wanted her to remain rooted forever in that
sidewalk, to become a roosting place for mockingbirds.
Suddenly, a stray
homeless man emerged from the shadows of the cherry blossom trees,
hobbling toward the woman. He appeared to make some kind of remark to
her and gestured at her lightly with his hand. I expected her to
respond, I suppose because we have some mistaken assumption that
those lower beings of society must surely all love one another and
live together in harmonious depravity and deprivation. But she said
nothing to him. He again slurred something unintelligible to her
statuesque face before giving up and continuing his shamble down the
sidewalk.
Maybe she’s
waiting for the metro, I thought, noticing that several moments,
maybe hours had passed since she had so much as turned her head. But
the metro stop was a good fifty feet down the street, and I wasn’t
even sure if the buses ran at that ungodly hour. Somehow, the street
and the surrounding air seemed darker than it had been only moments
before.
Time stretched and
yawned, and nothing happened. The city was so empty, I felt as though
the woman and I must have been the only two people in it. I imagined,
for a moment, the great rapture people are always warning and
advertising about had finally come to fruition and left the two of
us, the sinners, behind on a lifeless planet. Maybe when the dust of
God’s wrath had settled, she and I would become friends and break
into the houses of all of the respectable, responsible people, gone
and dead in heaven now, and we would eat their food or try on their
clothes and jewelry and drink their wine before it over-aged.
All
I had to do was ask, I thought. She was six stories below me, but I
think if I had whispered to her, she might have heard. She might have
turned her head up toward my open window and spoken to me. She’d
tell me about her nights on the streets and the men she had known,
and I’d tell her about my days as an entry-level accountant for a
mid-sized corporation.
But before I had a
chance to do anything illogical or embarrassing, I became aware that
I was, in fact, smashed and full of nonsense. I attempted to collect
myself with the reassuring, if not rational, thoughts with which we
so often console ourselves—thoughts like, at least you’re not a
prostitute.
I
lit a cigarette, feeling a little better about things. I inhaled and
exhaled, watching my smoky breath fall, dissipating into the
blackness, and wondered if some part of me could ever reach the woman
dressed in silver and black. I waited, watching the last foggy
remnants descend on the light breeze toward the statue-like woman
until, finally, total darkness washed over the street and air.
A blinding morning
sun didn’t wake me up—it was last night’s promised rain. Its
coolness splashed and splattered across my overhanging hand, which
clutched a damp cigarette butt between two fingers. Before finding my
way to bed in the faint half-light of the rainy morning, I glanced
out my window to find, much to my astonishment, that life had
returned to normal. Cars splashed along the street through the newly
formed puddles; a few faceless people bustled under open umbrellas
and raincoats and newspapers, weaving between the cherry blossom
trees; and somewhere, behind the buildings, behind the clouds, the
sun was rising. There was no darkness, no great rapture, no
seven-foot prostitute beneath my window.
There
probably never was, I thought.
Another oldie with some substantial changes recently made. I'm thinking about changing the title, too.
ReplyDeleteJoey's suggested edit: Cut out that last sentence.
ReplyDeleteI have to admit, it does seem a bit trite, a bit formulaic. Like, was she there or wasn't she? *cue suspenseful music*. The last thing I want to do is cause some kind of Inception moment. Or call the validity of it all into question. Or make the reader turn back to look for clues about whether or not it really happened. Because I don't think that's the point of the story at all.
But somehow, for me, it's hard to resist a simple line at the end of this story. It just seems to end too flatly if I take it out. Maybe that's my shortcoming as a writer . . . always wanting that kind of ending. Maybe not.
What do you think? Should it stay or should it go, now? And if it should go, should it be replaced with something else?